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Alethi Script

Added by HarakekeContents |
Written Alethi
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In modern Alethkar, Alethi script is typically written and read only by women, while men make use of ideographic glyphs.
The Alethi alphabet is rather elegant in the way it organizes phonemes. Graphemes are systematically derived from the sound properties of their corresponding phonemes, rather than simply being arbitrary symbols. Each grapheme has two elements that describe its sound properties: shape and height. The resulting script is visually similar to the graphical representation of the sound waves in speech.[1]
Easter Eggs
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Alethi written works often include margin notes intended solely for women readers and scribes. These annotations provide additional supplemental information regarding the main text.
In a similar vein, there are two examples of the Alethi script in The Way of Kings. Both are excerpts from Navani's notebook. These illustrations were done by Isaac Stewart and provide interesting insights into the nature of fabrial creation.
"The person who translated these books into English treated certain art pages different ways in order to tailor it to the English-speaking audience. The Navani pages are meant to give a flavor for what the writing looks like, yet still be something readers can figure out and understand."— Peter Ahlstrom explains some of the script on TWG [2]
Although no translation was included in The Way of Kings, it wasn't long before fans deciphered the script and revealed the hidden messages.
Example
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Once the code had been cracked, Peter Ahlstrom and Isaac Stewart revealed further details regarding the Alethi language:
- Since Alethi has no W or X, the respective English transliterations are U and KS.
- The English letter C is written as either S or K depending on its pronunciation.
- H may not quite sound like an H, but it's being used to represent H in English transliteration.
- The letter J is pronounced exactly like Y in modern Alethi. There may have been a sound change involved there. It's being used here as a J sound. [3]
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Much of this translation is from the work of Harakeke on timewastersguide.com.
See the information and process here: Navani's Notebook Translation *MAJOR SPOILERS*
Major World Spoiler Warning
Please read -- this is not your normal spoiler warning.
The information below is not found in the published books of the Stormlight Archive, but from other outside sources. These spoilers are typically more potent, and can spoil a lot more information than simple plot points. You have been warned. Please read the Spoiler Policy for more information.
Page One
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Added by HarakekeAn example of such a machine is the pain knife, a non-lethal weapon used for self defense.
Text:
The cut and type of the gem determines what kind of spren are attracted to it and can be imprisoned in it.
There must be thousands of possible combinations. Once a spren is captured and the gem infused with Stormlight the fabrial can be used in machines.
Pain Knife
The pain knife is used as a means of protection. Sharp blades pierce an attacker’s clothing and cause crippling pain.
cold gravity pain heat wind
Flamespren trapped in emerald
Removable outer covering to infuse fabrial with Stormlight
Fabrial Retractable blades cause crippling pain. Dial pushes blades to four set lengths.
Page Two
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The second page describes the design and operation of a fabrial-powered bracelet (presumably of Navani's own invention) that can be used to read the emotions of nearby people.

Added by HarakekeText:
Examples of stormlight patterns
Patterns of stormlight filtered through the fabrial determine the power of the gem
Fabrials allow creation of things like the emotion bracelet made of ten fabrials working together
The pattern cannot be seen by the naked eye
Man betrayed by a close friend Woman who has just been proposed to Man who discovered his betrothed lies to him Mother at wedding of only son
Anticipation anger disgust sadness
love hate
joy trust fear surprise
The trick of the emotion fabrials is first learning to read it and second learning to tell if the bracelet is reading your emotions, your subject's emotions, or the emotions of the people in the next room over